{"id":335,"date":"2021-06-25T03:47:18","date_gmt":"2021-06-25T03:47:18","guid":{"rendered":"https:\/\/educate.winona.edu\/idmaa\/wp-content\/uploads\/sites\/26\/2021\/06\/jaguar-of-numbers.png"},"modified":"2021-06-25T04:56:39","modified_gmt":"2021-06-25T04:56:39","slug":"jaguar-of-numbers","status":"inherit","type":"attachment","link":"https:\/\/educate.winona.edu\/idmaa\/online-gallery\/jaguar-of-numbers\/","title":{"rendered":"Jaguar of Numbers by Eugenio Tisselli"},"author":323,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"class_list":["post-335","attachment","type-attachment","status-inherit","hentry"],"description":{"rendered":"

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The entities we perceive as parts of the hyperobject we call nature – rocks, trees, rivers, insects – are, for a computer, mere masses of points without entity: without object or subject. These points congregate and disperse freely in its vision: the algorithm knows nothing about the forms that engender being. Thus, the perspective of the digital animal is always already granular, multiple and recombinant: an artificial perspectivism where every object is potentially all objects: grains of dust changing color, fluttering on a plane of light. Each grain carries multiple natures within it, as many as the algorithm desires. To perceive – and thus, to represent – nature as the digital animal does is to break with the notions of entity, being, body, space, or form. The jaguar of numbers rips apart the flesh of the world.<\/p>\n